I have to tell you something, that's right it's share time so grab a seat. Whenever I get stressed out about something, or I need to calm down and let things ride or slide, I hum this songs bass line. Why, because it's so funky and funny at the same time (especially when you hum it). This song is the classic Skin Tight by the Ohio Players and since I just learned that the lead singer of the band, the incredible Leroy "Sugarfoot" Bonner has just passed away, I thought it only fitting to add this song to my blog.
Now right off the bat, that bass line is the first thing you hear so you immediately know something funky is about to go down. Add in the drums, the brass, and the wah wah guitar and the song begins to simmer before Sugarfoot utters a word. When he eventually does come in, the man makes you smile with You a bad bad Mrs. / In your skin tight britches / Running folks in ditches / Baby about to bust the stitches, yeah. After that the song is off and running.
I grew up with the Ohio Players, they were always jamming in my house (along with Lou Rawls) so I grew up a big fan of this band. I am saddened by the passing of Sugarfoot, but I am grateful to him and the rest of the band for leaving us with such classics like this funky jam. Thank you Sugarfoot, may you rest in funky peace. Enjoy!
Monday, January 28, 2013
Saturday, January 26, 2013
Sweet Freedom
I originally had a different song planned for this post, but I scrapped it. I scrapped it to bring you a serious, velvety smooth blast from the past. I know you remember Michael McDonald right? If not, do you remember the Doobie Brothers, or the comedy film Runnin' Scared with Gregory Hinds and Billy Crystal? The theme song to that hilarious movie was Sweet Freedom and I love this song as much as I love that movie.
Sweet Freedom, along with the movie came out in 1986 but by then Michael had already gone solo, leaving the Doobie Brothers behind. he had already won a Grammy for his duet with James Ingram on their hit Yah Mo B There. So he was the perfect person to write and sing the theme to Runnin' Scared since he was pretty much a household name by that time.
What's there to say about this song except they don't make them like this anymore. They definitely don't make them like Michael either. His voice is unmistakable, even to this day and it's hard not to love it, like it's hard not to love this song. Enjoy!
Sweet Freedom, along with the movie came out in 1986 but by then Michael had already gone solo, leaving the Doobie Brothers behind. he had already won a Grammy for his duet with James Ingram on their hit Yah Mo B There. So he was the perfect person to write and sing the theme to Runnin' Scared since he was pretty much a household name by that time.
What's there to say about this song except they don't make them like this anymore. They definitely don't make them like Michael either. His voice is unmistakable, even to this day and it's hard not to love it, like it's hard not to love this song. Enjoy!
Friday, January 18, 2013
Walk On By
I KNOW you remember this song, right? You have to, I mean this is a classic. The original Walk On By was recorded by Dionne Warwick, a nice song written by Burt Bacharach and Hal David about a chance meeting after a break up. I'm pretty certain though that Burt and Hal never anticipated their little song sounding so funky. That was until Isaac Hayes got a hold of it.
The intro is a hard beat and strings but that suddenly morphs into musical muscle. A beat and a severe bass line carries you into the first verse. Isaac smoothly croons the lyrics with angelic backing vocals and damn if he doesn't do this song justice. In my opinion, he does it better than Dionne. I know a lot of people will scream how that's sacrilegious but I could give less than a damn. Isaac made this song his own, and he made it funky.
Walk On By was recorded in 1969, it was the first song on Isaac's second studio album, the seminal Hot Buttered Soul, a bar raising album for the soul music genre. No one had ever heard the stuff Ike put down on that record before, and everyone has been copying him ever since. Enjoy!
The intro is a hard beat and strings but that suddenly morphs into musical muscle. A beat and a severe bass line carries you into the first verse. Isaac smoothly croons the lyrics with angelic backing vocals and damn if he doesn't do this song justice. In my opinion, he does it better than Dionne. I know a lot of people will scream how that's sacrilegious but I could give less than a damn. Isaac made this song his own, and he made it funky.
Walk On By was recorded in 1969, it was the first song on Isaac's second studio album, the seminal Hot Buttered Soul, a bar raising album for the soul music genre. No one had ever heard the stuff Ike put down on that record before, and everyone has been copying him ever since. Enjoy!
Voodoo Child
This song is one of the reasons I have come to love music so much. Voodoo Child by Jimi Hendrix is an experience all on its own. Written by Hendrix back in 1968 for his band, The Jimi Hendrix Experience and their album Electric Ladyland, this song is pure genius. Lyrically this song is honestly lacking but who turns on and cranks the volume for Jimi's lyrics? Exactly.
You tune into Jimi for his incendiary guitar playing. Thankfully Jimi never failed in delivering that in almost everything he recorded. Take the guitar riff intro, one of the best every recorded. It's bold, in your face, and full of swagger. The drums come in for two measures and then the song simply explodes. Suddenly, no matter what it is you're doing, Voodoo Child makes you stop because it yanks you in. It's a song that's really hard to ignore because it's so raw, there is no hook, and the lyrics are almost insignificant, but you don't care and that's the genius of this tune.
I know I say this often, but I can listen to this song all day and it would never lose its impact. This is my favorite rock song of all time. Not just because it rocks, but it puts on display for ALL to hear, Jimi tell the world that he was the best to ever do it. Enjoy
You tune into Jimi for his incendiary guitar playing. Thankfully Jimi never failed in delivering that in almost everything he recorded. Take the guitar riff intro, one of the best every recorded. It's bold, in your face, and full of swagger. The drums come in for two measures and then the song simply explodes. Suddenly, no matter what it is you're doing, Voodoo Child makes you stop because it yanks you in. It's a song that's really hard to ignore because it's so raw, there is no hook, and the lyrics are almost insignificant, but you don't care and that's the genius of this tune.
I know I say this often, but I can listen to this song all day and it would never lose its impact. This is my favorite rock song of all time. Not just because it rocks, but it puts on display for ALL to hear, Jimi tell the world that he was the best to ever do it. Enjoy
Monday, January 14, 2013
Mercy Street
Once upon time, back in the late 80's to the mid 90's, one of the biggest stars on the planet was Peter Gabriel. You know he was, don't try to act like he wasn't. He had already made a name for himself by being the one time front man for a little group known as Genesis, yes THAT Genesis. He also had some hits with songs like Biko, Games Without Frontiers, and Shock The Monkey. But when Peter dropped his fifth studio album, So in 1986, he became a household name.
So was to Peter what Thriller was to Michael. There wasn't one song on So that was lacking, and one of the lesser known songs, and one of my favorites off that album was Mercy Street. Mercy Street is a brilliant, somber song, much like his song Don't Give Up which was also on So. Those songs lived in the shadows of the other massive hits on that album, but if you listen carefully to Mercy Street, Peter's vocal layering genius is clearly obvious, and so beautiful.
I can listen to this song all day and come across something new, something I didn't hear all the times it's played before. I could have picked his more popular songs but it's Mercy Street that for some reason, resonated with me, and made me a Peter Gabriel fan. Enjoy.
So was to Peter what Thriller was to Michael. There wasn't one song on So that was lacking, and one of the lesser known songs, and one of my favorites off that album was Mercy Street. Mercy Street is a brilliant, somber song, much like his song Don't Give Up which was also on So. Those songs lived in the shadows of the other massive hits on that album, but if you listen carefully to Mercy Street, Peter's vocal layering genius is clearly obvious, and so beautiful.
I can listen to this song all day and come across something new, something I didn't hear all the times it's played before. I could have picked his more popular songs but it's Mercy Street that for some reason, resonated with me, and made me a Peter Gabriel fan. Enjoy.
Friday, January 11, 2013
Redemption
I stumbled upon this little group on my honeymoon, many moons ago, in Vegas. Yes, I WAS married and no, not everything that happens in Vegas, stays there. Take this song for instance, it's by the group known as Conjure One and it's called Redemption. What I love about this song, outside of the vocal layering, are the drums. They are so powerful when played on the big boy speakers that they give me chills. They also inspire my neighbors to call the cops, but whatever.
Redemption is off their first album, Conjure One which dropped in 2002. As you can hear, the album definitely had a middle eastern feel to it. Funny thing is, Conjure One is from Canada. That's right, our neighbor from the Great White North, Rhys Fulber, produced this gem of a song (and album) that made me a bonafide fan. The vocals provided are sung, in Syrian Arabic by Chemda and her vocals are clearly an added instrument to this driving, bombastic track.
I suggest you give this beauty of a song a long, hard listen to, and if you can, play it on your big boy speakers. It may shake some things, it may give you chills, it may rattle your windows (as well as your neighbors). Believe me though, it is well worth it. Enjoy!
Redemption is off their first album, Conjure One which dropped in 2002. As you can hear, the album definitely had a middle eastern feel to it. Funny thing is, Conjure One is from Canada. That's right, our neighbor from the Great White North, Rhys Fulber, produced this gem of a song (and album) that made me a bonafide fan. The vocals provided are sung, in Syrian Arabic by Chemda and her vocals are clearly an added instrument to this driving, bombastic track.
I suggest you give this beauty of a song a long, hard listen to, and if you can, play it on your big boy speakers. It may shake some things, it may give you chills, it may rattle your windows (as well as your neighbors). Believe me though, it is well worth it. Enjoy!
Thursday, January 10, 2013
Cross My Mind
This is the second time Jill Scott makes an appearance on my blog. The first time I blogged a song of hers, I did so because that song mirrored where I was in my life at the time. This song, Cross My Mind is actually my favorite song of hers. I like reminescent songs, songs about someone wondering what that one who got away was doing, what they were thinking, if they ever think about you. This song fits that bill perfectly.
Cross My Mind is off her second studio album, Beautifully Human: Words and Sounds Vol.2 and it earned Jill her first Grammy. It's a laid back, jazzy piece, nice and easy in it's groove and Jill and that marvelous voice of hers glides right along with it. It opens with her saying "I was just thinking about you" and then the piano comes in, it's all conversational except the chorus.
Jill remembers fondly how an ex lover smelled, walked, kissed, and made love to her. She's tempted to write him a letter, or page him but she knows it's wrong. She knows her feelings are wrong because like she says at the end, "the reality, honestly...is you were never good for me, and I was never good for you..." Enjoy!
Cross My Mind is off her second studio album, Beautifully Human: Words and Sounds Vol.2 and it earned Jill her first Grammy. It's a laid back, jazzy piece, nice and easy in it's groove and Jill and that marvelous voice of hers glides right along with it. It opens with her saying "I was just thinking about you" and then the piano comes in, it's all conversational except the chorus.
Jill remembers fondly how an ex lover smelled, walked, kissed, and made love to her. She's tempted to write him a letter, or page him but she knows it's wrong. She knows her feelings are wrong because like she says at the end, "the reality, honestly...is you were never good for me, and I was never good for you..." Enjoy!
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